Monday, October 3, 2011

The Power of Literary Citizenship, via Kore Press


The Power of Literary Citizenship
Shannon Cain

Advice to an Aspiring Author on How to Publish Your Book.

  1. Write well. Pursue this goal for about 10 or 20 years.

  1. Tend to your literary citizenship:

  • Read. A lot.
  • Subscribe to literary magazines.
  • Buy books. Review them, and publish the reviews.
  • Teach.
  • Celebrate the achievements of your colleagues. Champion their work.
  • Share your power.
  • Donate to small presses. Volunteer. Join a governing board.
  • Practice humility.
  • In workshop, be patient and kind and truthful.
  • Attend talks and conferences. Listen hard.
  • Mentor a new writer. Be mentored.
  • Be a good friend to other writers. Keep generosity in your heart.

3. Realize that literary citizenship makes you a better writer. Know that the more you give, the more you get back. Forget about publishing. Just write. And give.

Shannon Cain is the volunteer fiction editor and co-chair of the board of directors at Kore Press. Her first book, The Necessity of Certain Behaviors, is forthcoming next week from the University of Pittsburgh Press.

Thursday, September 29, 2011

Work in Progress: Is Writing "Fun"?

I remember the first day of a workshop when we were going around the table getting to know each other, and several people had recently taken up writing, noting that they were bored with their present careers and that they enjoyed writing.  “Writing is fun,” several of them said.

I kept my smile in place, but inside, something recoiled in horror.  “Fun”—it seemed such a curious word for the constant, endless, soul-sucking struggles with the muse, with the marketplace, with the self.  It struck me that no matter how long the list I was asked to give to describe writing, “fun” would never be a word I would choose.

For months I worried this over.  What did it mean that I didn’t think writing was fun?  What was wrong with me?  Why was I doing something that I didn’t consider fun?  I even stuck into a short story a moment mocking a character who calls everything “fun.”  I remembered an old episode of This American Life that stuck with me, something exploring romantic relationships and a Russian woman saying something along the lines of this: “All you American women, you want a man who ‘makes you laugh.’  What’s so funny all the time about life?  Nothing.”  (Imagine a very scornful Russian accent.)

This is not to say that there aren’t things that I love about writing and the writing life: the thrill of nailing the exact right word, the moment where you see what should happen next and it’s good, the SASE in your mailbox that’s a contract instead of a rejection, the life I have where it’s perfectly normal to take a walk and think weird thoughts about imaginary people, hearing a bit of unusual dialogue and sticking it in a novel, the odd scrap of research falling into exact place to perfect the story’s metaphor, knowing that reading books and stories is part of my job, seeing my novels on a library shelf.

But when I think of “fun,” I guess I think of pleasant mindlessness, and writing is anything but mindless. 

I’m probably making more than I should of one simple, nervous moment at the beginning of class with an inscrutable teacher sitting in the front of the room.  But even so, why did these comments shake me so much?  Why am I thinking about that one word all this time later?  I don’t doubt my choice to devote my life to writing (I mean, I don’t doubt it more than a thousand times a day, which seems average). 

Am I missing something?  Is everyone else having fun?  It wouldn’t seem so, given the conversations I tend to have with other writers in which we bitch about agents, publishers, never enough time to work, and our “stupid novels.”  

Or was it apprehension I felt, seeing these students standing at the sunny edge of a field, about to plunge into the beginning of a scary, dark path, knowing that I was about to lead them deep into the tangled woods and then simply leave them there at the end of the semester?   
I guess I don’t think roller coasters are “fun” either.  But I remember vividly every single one I’ve ridden.

Sun Magazine Giveaway

Congratulations to Susan S. of Silver Spring, Maryland, who will soon be enjoying a year of The Sun magazine in honor of Scott Fitzgerald’s birthday!  Thank you all for entering the contest.

Wednesday, September 28, 2011

Crab Orchard Review Reading for "Due North" Issue

A call for submissions from the fabulous Crab Orchard Review (and I would say that even if they hadn’t recently published my story “The Chicago Brother”!):


Crab Orchard Review is seeking work for our Summer/Fall 2012 issue focusing on writing exploring the people, places, history, and changes shaping the states (and *District of Columbia) in the U.S. that make up the northern mid-Atlantic and Northeast (*Maryland, *Delaware, New Jersey, Pennsylvania, New York, Connecticut, Massachusetts, Rhode Island, Vermont, New Hampshire, and Maine) and the northern Midwest east of the Mississippi River (Ohio, Indiana, Michigan, Illinois, Wisconsin, and *Minnesota).

*We know we’re stretching boundaries and regions with the District of Columbia, Maryland, Delaware, and Minnesota, but we would like to see what those places bring to this exploration. We’ll head a little farther west next time around.

All submissions should be original, unpublished poetry, fiction, or literary nonfiction in English or unpublished translations in English (we do run bilingual, facing-page translations whenever possible). Please query before submitting any interview. For general information about submissions, click the following link for our regular submission guidelines and subscription and single copy orders.

The submission period for this issue is August 17 through November 5, 2011. We will be reading submissions throughout this period and hope to complete the editorial work on the issue by the end of April 2012. Writers whose work is selected will receive $25 (US) per magazine page ($50 minimum for poetry; $100 minimum for prose) and two copies of the issue.
Mail submissions to:
CRAB ORCHARD REVIEW
Due North issue
Faner 2380, Mail Code 4503
Southern Illinois University Carbondale
1000 Faner Drive
Carbondale, IL 62901
United States of America

Include SASE for reply or return of work.


Address correspondence to:

Allison Joseph, Editor & Poetry Editor
Carolyn Alessio, Prose Editor
Jon Tribble, Managing Editor

Tuesday, September 27, 2011

Link Corral: New Story on Redux; Short Novel Contest; Win a Year of The Sun

Be sure to check out Dana Cann’s great story “Clockwise” on Redux: A Literary Journal.  (Secret insider info:  I first met Dana when he was in one of my workshops at the Writer’s Center.)

“On the night they died, the Wynn family, each in his or her bed on the second floor of their house on Maiden Lane, dreamed of the children—of Tina Wynn, the girl, and Brandon Wynn, the boy—flying, clockwise, through the rooms and hallways that formed a loop on the first floor. It was the same loop the children had run when they were small, chasing one another or being chased by their father or their mother or, on occasion, both. But tonight they did so in their dreams, and they did so in the air, without touching the ground. And all the while the gas from the cracked furnace seeped up the stairwells and through the floorboards and vents, which brought the heat from the furnace’s flame to the rest of the house.”

Read the rest here.

*****

Grassic Short Novel Prize from Evening Street Press

Our idea is to emphasize the power, skill and enduring value of the short novel form: limit 90-150 pages.

For example:                         
(pages given vary with edition)

Conrad, Heart of Darkness  (90)
O
’Connor, Wise Blood   (140)
Dostoevsky, Notes from Underground   (96)
West,  Miss Lonelyhearts   (95)
Chopin, The Awakening    (150)
Camus, The Stranger   (150)
Hesse,  Siddartha   (145)
Twain, The Mysterious Stranger   (100)
James, The Asper
n Papers  (100)

[Editor's note: Quite an intimidating list!]
$500 and publication by the Evening Street Press will be awarded for the best short novel manuscript. The contest is open to writers who have already published books as well as those for whom this is a first book. The winning writer will receive 25 copies from a press run of 250. Submissions accepted May 1, 2011 to December 1, 2011.

Manuscript Requirements
--ms. must contain between 90 and 150 pages (45,000-75,000 words)
--ms. must be typed (single spaced)
--ms. pages must be numbered and a table of contents included
--include an acknowledgements page
--include one cover page that contains the title, your name, address, phone number, and e-mail address
--include a second cover page that contains the title only
--your name must not appear anywhere else on the ms.
--SASE for results--manuscripts will not be returned
Reading Fee
The $25 reading fee includes a one-issue subscription to the Evening Street Review.  Make check or money order payable to Evening Street Press. We reserve the right not to name a winner.

You may submit more than one manuscript.  Send multiple submissions in the same envelope, marked “Multiple.” Each manuscript must include a $25 reading fee. Simultaneous submissions are acceptable, but we must be informed immediately if the manuscript is accepted elsewhere.

Mail entries (no email submissions, please) to:
 Evening Street Press
7652 Sawmill Road #352
Dublin, OH 43016-9296.

More info:
http://www.eveningstreetpress.com/id57.html

*****

Don’t forget to enter the drawing for a free subscription to The Sun magazine, in honor of F. Scott Fitzgerald’s birthday.  Details here.

Monday, September 26, 2011

Link Corral: Oops & Finding Literary DC

I can’t believe I made a mistake…rather, I can’t believe I made this mistake:  In my post last week about the stages of a writer, I totally forgot the last one, so please imagine that you also read this last week:

--Art:  the perfect marriage of creative ambition and skill; the moment of supreme and beautiful confidence in which the words on the page match the vision in the brain; the magic.  Think: virtually unachievable, but for some writers, the only thing worth striving for.

All I can say in my defense is that this mental lapse shows me that clearly I’m waaaay too mired in the worries of Stage 3: Career.

*****

D.C. is a soulless company town with the only company being Government.  Not so!  There’s a vibrant and unique literary community here if you know where to look , and the first place you should look is this excellent “Guide to Literary DC” that novelist Carolyn Parkhurst wrote for the Poets & Writers website:

“I never expected to end up in Washington, D.C. My feelings about politics and government are a lot like my feelings about photosynthesis or the circulatory system: I acknowledge their importance without wanting to spend any real time dwelling on them. When I moved here as a recent college graduate in 1992, it was because my boyfriend was attending grad school in College Park, and because I figured that as a writer (a title that was more hopeful than descriptive at that point), I could live anywhere. But the city worked its charm on me in the usual ways—an unexpected glimpse of the Washington Monument in the middle of a humdrum day, a rain of petals in my hair after a springtime walk—and somehow, all these years later, it’s the only place that feels like home.

“For me, the city is full of the kind of literary landmarks that no one else really cares about, the personal ones, my own life becoming a transparency laid over the larger map: the group house on R Street, through whose mail slot slipped hundreds of manila SASEs holding rejection letters from publications big and small. The food court in the Old Post Office Pavilion, where I ate lunch nearly every day the summer I interned at the National Endowment for the Arts. The strange little wedge-shaped Starbucks that seems to inhabit a traffic island in nearby Rosslyn, Virginia, where I wrote the last pages of all three of my novels. The bench at the National Zoo where I went to write a few times during a summer when I was on the run from the temptations of Wi-Fi. The house in Glover Park where I learned, on an ordinary day at home with my five-month-old son, that I’d sold my first novel. The Thai restaurant we ordered a celebratory dinner from that night. The nearby Whole Foods that was offering a special on irises, prompting my husband—the same guy I moved here to be with—to bring home eleven separate bouquets of them.

“But if I can manage to drag myself out of my own story for a moment, I can identify some of the other important places as well, the ones that have relevance to a larger group of writers and readers. It’s a beautiful, vibrant, creative city, whether or not you’re interested in learning more about the circulatory system.”


Saturday, September 24, 2011

Happy Birthday, Scott!

Only one man could get me blogging on a Saturday…of course I’m talking about F. Scott Fitzgerald!  Happy birthday, Scott!

Since I’m always gabbing about The Great Gatsby, here are a few quotes from elsewhere:

“‘You know, you’re a little complicated after all.’ ‘Oh no,’ she assured him hastily. ‘No, I’m not really — I’m just a — I’m just a whole lot of different simple people.” – Tender Is the Night

AND

“Show me a hero and I will write you a tragedy.” – The Crack Up

AND

“Here’s to alcohol, the rose colored glasses of life.” – The Beautiful and Damned


There are more here, on Flavorwire’s piece, “F. Scott Fitzgerald’s Guide to the Good Life,” which also has some great photos, including the most AWESOME Christmas photo of Scott, Zelda, and little Scottie.  (You must check it out; scroll down.)

I really should celebrate by giving away a bottle of gin, but the shipping issues seem rather complicated and possibly illegal, so instead, I’ll give away to one blog reader a year-long subscription to The Sun magazine, one of my faves.

The usual rules:  Email me your name and address—be sure to put Scott in the subject line—by Wednesday, September 28, at 5PM EST (cocktail hour!).  One lucky winner will be selected at random to receive the subscription; your emails will be deleted, and I won’t use the addresses for anything else.  Yes, it’s okay to enter if you know me.  Yes, it’s okay to enter if you don’t.  Email address:  Lpietr@aol.com

Work-in-Progress

DC-area author Leslie Pietrzyk explores the creative process and all things literary.